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Double-Sided Lined Zipper Pouch (In-the-Hoop)

Double-Sided Lined Zipper Pouch (In-the-Hoop)

Zipper, lining, optional wrist strap, embroidered decoration on both sides -- this in-the-hoop project has it all! Craft a beautifully finished zipper pouch with this specialized machine embroidery design. Follow the step-by-step instructions below to make your own!

Supplies & Materials:

- 1/2 yard of quilter's cotton, ultrasuede, or linen (for the outer fabric)

- 1/2 yard of quilter's cotton (for the lining)

- 1/8 yard fabric (for strap or wristlet - optional)

- Embroidery thread

- 1/2" D-ring

- 1/2" swivel clasp

- All-purpose zipper (9" + for small size, 12" + for medium size, or 16" + for large size)

-Hand sewing needle or fabric glue

- Soft, fibrous water-soluble stabilizer (such as Vilene)

- Masking or painter's tape

- Seam ripper

- Scissors

- Rotary cutter

-Quilting ruler

- Iron

- Ironing board

- Pressing cloth

The designs used in this tutorial include:

- Fancy Floral Lined Zipper Pouch (In-the-Hoop)

To make a wristlet and D-ring strap for the zipper pouch, cut two strips of the outer fabric or the lining fabric. For the D-ring strap the strip should be cut to 1 3/4" wide x 7" long. For the wristlet strap the strip should be cut to 1 3/4" wide x 14" long. Using a quilting ruler and a rotary cuter is the easiest way to cut out these pieces.

Rotary cutter with an orange safety lock, two red fabric strips, and a large clear yellow grid quilting ruler on a dark wood surface.

Take either of the two fabric strips, and fold the two long sides over 3/8" with wrong sides together. Press the folded edge with a pressing cloth.

Close-up of a red fabric strip with stitched lines on a white ironing board cover, next to a steam iron and a clear ruler with yellow markings.

Then fold the strip in half by matching up the two, long folded edges. Press the fold, and then either pin or use temporary spray adhesive to hold the fold in place for sewing.

Hand holding a narrow, flat, red fabric strip with a triangular fold at one end, placed on a dark wooden surface.

As the stitching will been seen from both sides, wind a bobbin with the same thread you are using in the top needle.

Red spool of thread and a clear empty bobbin resting on red fabric with visible stitch lines, next to a dark wooden surface.

Sew an 1/8" seam along both long sides. You do not need to sew along the two short ends.

Close-up of a red fabric zipper tape with stitched edges on a dark wooden surface. No visible zipper teeth or pull attached.

Then repeat for the other fabric strip, so both the wristlet and the D-ring strap are folded and sewn. They should both be 1/2" wide when completed.

Two red fabric zipper pulls or tabs placed on a dark wood surface, one laid straight and the other slightly curved.

For the D-ring strap, slide the 1/2" D-ring on to the folded fabric strap. Center it, and fold the strap so that the flat side of the D-ring is on the inside of the fold.

Red fabric zipper pull tab with a silver D-ring attached, placed on a wooden surface. The tab is folded and stitched along the edges.

Pin the fold or use temporary adhesive to hold it while sewing. Using a matching bobbin, sew a small seam as close to the D-ring and folded end as possible. Make sure your needle does not hit the D-ring as it will break the needle.

Red fabric wrist strap with a silver metal D-ring on a wooden surface, showing stitched seams and a slight texture on the fabric.

For the wristlet strap, slide the 1/2" swivel clasp onto the sewn fabric strap.

Red fabric loop with stitching details and a silver metal lobster clasp attached at one end, placed on a dark wooden surface.

Fold the strap in half again, so the swivel clasp is right at the fold. This time, however, it is very important that the actual clasp of the swivel clasp is on the inside of the fold, so when you fold the fabric it ends up inside of the folded strap.

Hand holding a red fabric loop with a silver metal lobster clasp attached; background is a dark wooden surface.

With the clasp still on the inside of the fold, match up the short, raw edges, and sew a 1/4" seam along them.

Red fabric wristlet strap with silver swivel snap hook attached, placed on a dark wooden surface.

Trim the seam allowance as much as possible, and turn the strap right side out. Turning the strap right side out will put the exposed seam allowance on the inside of the fabric loop, and now the actual clasp will be on the outside.

Red fabric loop keychain with silver metal lobster clasp attached, placed on a wooden surface background.

Slide the swivel clasp down until it is resting against the sewn seam. Fold the fabric loop in half, so the seam is right on the fold. Pin the fold or use temporary spray adhesive to hold it in place while sewing. Then sew a short seam as close to the flat end of the swivel clasp as possible without hitting it with the needle.

Close-up of red fabric strap with stitched detail attached to a silver lobster clasp lying on a dark wooden surface.

This completes the wristlet and the D-ring strap. Set them both aside for now. The D-ring strap will be added during the second file of the embroidery design. The wristlet will be added at the very end.

Red fabric wristlet strap with silver swivel lobster clasp and matching shorter strap with silver D-ring on dark wood background.

When you download the design, you will find multiple files. Some are embroidery files, and others are dieline files marked with the letters "DL". Dielines are used to cut the fabric to the correct shape and size. Open and print each dieline file using an embroidery software. If you do not have an embroidery software, take a look at our helpful video on using dielines.


We also recommend Wilcom's Hatch software which comes in different levels depending on what you'd like to use the software for. Hatch Organizer works well to view your designs, print dielines and templates, change design colors, and create basic design layouts. (This is an affiliate link. We may earn commission on purchases made with this link.)

Two rectangular fabric pieces, one black and one red, placed on a wooden surface next to white printed paper with outlined shapes and text.

Spray the back side of the first paper dieline (file "a") with temporary adhesive. Smooth it onto the right side of the outer fabric.

White fabric piece with a red border pinned on dark wood. The white fabric has faint straight lines dividing it into sections, possibly for sewing or crafting.

Cut out the first piece, and remove the paper dieline

Pair of silver scissors with white handles resting on a piece of red fabric on a dark wooden surface.

Repeat to cut the lining, back dieline shape (labeled with a "b" and "back") out of the lining fabric.

Gray-handled scissors resting on a rectangular piece of black fabric, placed on a wood-grain surface.

Then take the two remaining front dieline shapes (labeled with a "b", "front", and either "top" or "bottom"), and cut the two shapes out of both the lining and the outer fabrics.

Two pairs of rectangular fabric pieces, one red and one black, laid on a dark wooden surface with a pair of scissors nearby.

Then take one of the "b", "front shapes, and fold one long side over 1/2". Press it along the folded edge.

Close-up of fabric squares with a black zipper sewn between them, a clear ruler, and the tip of a black iron on a white patterned surface.

Repeat to press one long edge over 1/2" on each of the four front, dieline pieces.

Two rectangular fabric pieces laid flat on a wooden surface; one is gray with black edging and the other is red with a horizontal black line near the middle.

There are different kinds of water-soluble stabilizer. For best results, use a soft and fibrous water soluble stabilizer, like Vilene. Using a stabilizer like this will make the zipper pouch less bulky and easier to turn. The clear and plastic water soluble stabilizer will not work well.


Use a size 11 or 75/11 sharp sewing needle. A sharp sewing needle has a smaller, finer point than an embroidery needle. That means it will make smaller holes in the stabilizer.

Two fabric stabilizers on a wooden surface: a white, nonwoven tear-away stabilizer and a clear, crinkled water-soluble stabilizer sheet.

Hoop a piece of water-soluble stabilizer tightly, making sure there are no wrinkles and the stabilizer is taut in the hoop.

Embroidery hoop with white fabric securely hooped, placed on a wooden surface. Fabric edges extend beyond the hoop frame.

Load the back embroidery file (file "a") onto the machine, and begin to embroider the design. The first thing to sew will be the "back piece dieline". This marks the area on the stabilizer where the fabric piece will be placed.

Close-up of an embroidery machine hoop with white fabric hooped inside, stitching a square outline on the fabric under the sewing needle.

Remove the hoop from the machine, but do not unhoop the stabilizer. Spray the back of the "a" fabric piece with temporary adhesive, and smooth it in place right inside the sewn dieline.

Embroidery hoop with white stabilizer fabric and red rectangular fabric piece centered inside. Hoop is on a wooden surface.

Reattach the hoop on the machine, and continue embroidering the design. A tackdown stitch will sew next. This binds the fabric piece to the stabilizer for the remainder of the design.

Close-up of a sewing machine stitching a red fabric with tight, even zigzag stitches along the edge, white background fabric visible underneath.

Then follow the color change sheet, and embroider all the inner details of the design.

Red fabric with detailed embroidery of two large roses and leaves being stitched by a white embroidery machine hooped in place.

Once the embroidery is finished sewing, trim or tear away the excess stabilizer from around the back piece.

Red fabric pouch with sewn floral embroidery in dark red and beige, placed on a wooden surface, surrounded by white fabric pieces and gray scissors.

Once the back (file "a") is completed, hoop another piece of water-soluble stabilizer, and load the front (file "b") onto the machine.


The first thing to sew will be the "zipper dieline". This marks the place where the zipper will be placed on the stabilizer.

Embroidery hoop holding white stabilizer with a rectangular outline stitched in dark thread, positioned vertically near the center.

The zipper dieline sews a box with a centerline through the middle. To place the zipper correctly, close the zipper, and match up the center of the zipper (the teeth that zip and unzip) with the sewn centerline.


Make sure the wrong side of the zipper is against the stabilizer, and tape it in place. The zipper should hang over the hoop on both sides, and will be trimmed away later.

Red zipper partially attached to white fabric secured in an embroidery hoop, with blue painter's tape underneath the zipper on a wooden surface.

Once the zipper is taped down, place the hoop back on the machine, and embroider the "zipper tackdown" step. This will stitch the zipper to the stabilizer, and hold it in place for the remainder of the design.


Don't worry if it sews over the tape, it can be easily torn away from around the stitches. Then remove the tape before continuing to embroider.

Close-up of a hand peeling blue fabric stabilizer from one side of a red lined zipper placed on gray fabric background.

Remove the tape, and embroider the "top front piece dieline" step. This will sew out an outline where the top front fabric piece will go.

Close-up of a sewing machine stitching a bright red zipper onto white fabric with marked sewing lines on a clear hoop frame.

Spray the back side of the folded, top front "b" outer fabric piece with temporary adhesive. With the folded edge against zipper, smooth the fabric piece inside the sewn dieline shape.

Red fabric strip with "Fold" and directional arrows printed in black on a white stabilizer with a beige zipper next to it, all on a wooden surface.

Then continue to embroider the "top front piece tackdown" step.

Close-up of a sewing machine stitching a red fabric strip with multiple parallel stitching lines on a white surface, focusing on the needle area.

The "bottom front piece dieline" will embroider next, showing where to place the next fabric piece.

Close-up of sewing machine hoop with white fabric and fusible stabilizer, featuring a red zipper and stitched rectangular outline around it.

After the "bottom front piece dieline" has sewn out, place the fabric piece with the folded edge along the zipper, and embroider the tackdown. Again make sure the folded edge is against the zipper.

Red fabric square with a matching red zipper stitched down the center, an arrow and text "Fold" embroidered in black between two parallel stitching lines on a white embroidery machine hoop.

Follow the color change sheet to embroider all of the inner details of the design. Stop before sewing the "top lining tackdown".

Red fabric pieces with black floral embroidery and a red zipper, held in an embroidery machine hoop with a white embroidery foot visible.


Before sewing the "top lining tackdown", stop the machine, and remove the hoop without unhooping the design. Lay it on the table with the back side of the hoop facing up. Take the top, front "b" lining piece, and spray the wrong side with temporary adhesive. Smooth it in place directly behind the top, front "b" outer piece on the back of the hoop. Make sure the folded edge is against the zipper.

Hand lifting folded gray fabric piece labeled "Fold" with arrows, over pink fabric with stitch outline, both secured in embroidery hoop on wooden surface.

As the stitching will now be seen from both sides of the design, wind a bobbin with thread matching the color of the lining fabric. The top thread should still match the outer fabric color.

Close-up of a metal bobbin with black thread resting on fabric strips in pink, black with subtle swirl pattern, and light gray colors. Visible stitching lines.

Place the hoop back onto the machine, and embroider the "top lining tackdown" step.


This will sew over the existing sewn tackdown on the front side of the design while also tacking down the added lining fabric.

Close-up of black fabric rectangle attached with red thread to pink fabric with black printed lines, showing stitching and embroidery in progress.

Then repeat to spray and place the bottom, front "b" lining fabric on the back side of the hoop. Again make sure the folded edge of the fabric is against the zipper.

Hand holding black fabric piece folded over light pink fabric with geometric embroidery, arrows and text "Fold" indicating folding direction.

Still using the matching bobbin, place the hoop back on the machine, and embroider the "bottom lining tackdown". This will sew over the existing sewn tackdown on the front side of the design while also tacking down the added lining fabric.

Close-up of a fabric zipper sewn into black patterned fabric with pink zipper tape, stitched onto a light gray and pink fabric background. Some loose threads are visible.

Before sewing the "front finishing seam" step, stop the machine and remove the hoop without unhooping the design.


It is very important to move the slider (also called the pull tab) of the zipper to the center of the fabric pieces. This will allow the zipper slider to be on the finished pouch. If you do not move it, the zipper will be unusable, so do not forget!

Hand holding open a red zipper pouch with embroidered roses and leaves, laid on a flat beige surface with an arrow and text pointing to the open zipper.

It is now time to add the previously made D-ring strap. Position it as desired so the raw edge is hanging over the outside of the fabric pieces and tape it in place.


It is very important to make sure the metal D-ring is far enough away from the outer edge of the fabric that it will not get sewn over. If the metal D-ring does get sewn over by the remaining stitching, it will break your needle, so be sure to place it correctly.

Close-up of a red fabric pouch with red zipper, embroidered rose designs, and a monogrammed "L" in gold thread. Blue painter's tape holds fabric strips with an attached metal ring. White embroidery hoop frames the pouch on a gray felt background.

Lay the back piece (file "a") on top of the hooped front piece (file "b") with right sides together. Match up the outer edges, and tape the back piece in place around all four sides of the design.

Hand holding open red fabric pouch with zipper, showing stitched floral design inside a blue-framed embroidery hoop on pink fabric.

Place the hoop back onto the machine, and embroider the "front finishing seam" step. This will bind all the layers together, and create the final shape of the pouch. Remove the tape after embroidering this step.

Embroidery hoop with pink fabric showing a stitched outline of a pouch design, including rounded corners and decorative scroll details in light thread.

Next remove the hoop from the machine, and turn it over so the lining fabric is facing up. Lay the lining "b" back piece on top of the other lining pieces with right sides together. Match up the edges, and tape it in place.

Hand holding a piece of black fabric partially lifted, showing white stitching outline underneath on a gray fabric hooped with blue painter's tape on a white surface.

Place the hoop back onto the machine, and embroider the final "lining finishing seam" step. This will sew the final shape of the pouch a second time, binding the last lining piece to the rest of the design.

Close-up of gray fabric with black speckles, showing curved stitching along the edge with a small piece of folded fabric on the left side.

The "lining finishing seam" will also leave an opening in the bottom edge of the lining for turning the pouch right side out. So make sure to not just sew either finishing seam step twice as the two finishing seams being different is very important.

Hand holding open a black zipper pouch with visible white stitching on one side, resting on a gray textured fabric surface.

Once the design has finished embroidering, cut or tear away the excess stabilizer from around the design.

Light pink fabric pouch with dark stitching around edges, cut open red zipper at top, gray-handled scissors resting on pouch, wooden surface background.

Trim away the seam allowance as well as the extra zipper length. Trimming the fabric away from the corners and curves will help the pouch keep its shape without wrinkling once turned right side out.

Rectangular fabric piece with red zipper and cut fabric corners on wooden surface, next to gray scissors with white handles.

Turn the zipper pouch right side out through the opening in the lining, so the right side of the lining fabric is facing out.

Folded fabric pouch with dark exterior and white zipper, resting on a wooden surface showing stitching details along edges.

Then use fabric glue or a hand sewing needle and thread to close the opening in the bottom edge of the lining.

Close-up of a hand holding a black fabric pouch corner with a needle and white thread sewn along the edge, stitching visible on dark wooden surface background.

Cut open the stabilizer hiding the zipper using scissors or a seam ripper. Make sure not to cut the actual zipper or fabric.

Black fabric pouch with subtle floral texture, partially open pink zipper, and a blue seam ripper on top, placed on wooden surface.

Then turn the pouch right side out.

Red fabric zipper pouch with black and off-white embroidered roses and leaves, partially open, resting on dark wood surface.

If desired, you can remove the water soluble stabilizer inside of the pouch to make it less bulky. To do this, follow the manufacturer's instructions that come with the stabilizer.


For Vilene, we soaked the pouch overnight (12+ hours), and then scrubbed the pouch gently under running water to remove the stabilizer completely so that no stiffness remained.

Hand holding red zipper pouch with large embroidered roses and leaves in dark red and black thread, open to show black interior, on wooden floor and clear ribbed bowl.

Allow the pouch to air dry, and then press it with a pressing cloth and an iron to get rid of wrinkles and create crisp, folded edges.

Red fabric zipper pouch with embroidered floral designs, placed on a white ironing board with a blue and black iron pressing white fabric above it.

Then clip the previously made wristlet with the swivel clasp onto the D-ring strap.

Red fabric zipper pouch with embroidered large roses and leaves in shades of red and cream. Pouch has a matching red wrist strap with a metal clasp. Wood surface background.